FREN476

FREN476

French Language and Societies

This course is an introduction to sociolinguistics, with a focus on French-speaking societies. Throughout the semester, we will discuss basic concepts in sociolinguistics and address main topics in the field, including language variation, language contact and its possible outcomes, standardization, multilingualism, identity questions, and language attitudes and ideologies. This course aims to enable students to analyze, understand and discuss the links between language and society by providing students with the knowledge of sociolinguistic theory, research methods, main concepts and terminology along with developing the relevant application skills. All discussions and work submitted in this course will be in French.

Upon successful completion of this course students will be able to:

  • Recognize the challenges of linguistic and sociocultural diversity in the French-speaking world.
  • Understand the main concepts and theories in sociolinguistics and apply them to the study of French and multilingual communities.
  • Discuss and explain the link between various social factors and language use.
  • Conduct their own sociolinguistics research in a French-speaking community.

Language of Instruction: French

Instructor: Dr. Marie-Eve Bouchard

Prerequisite: One of FREN 321, FREN 328, FREN 329 and one of FREN 402, FREN 225.

Coming soon!

Readings will be made available through the Canvas site.

RMST301

Speculative Fiction: Afrofuturism, Gothic Horror, and the Weird

In this course, students will study major works of speculative fiction from France, Argentina, Italy, Mexico and Brazil (in English translation). The course starts with a French example of what has been dubbed “weird fiction”, namely Guy de Maupassant’s short story “The Horla” (1886) in which fact and fiction are difficult to distinguish. Students will then be introduced to Jorge Luis Borges’ reflections on infinity, non-linearity, and the labyrinth in his famous short stories “The Garden of Forking Paths” (1941) and “The Library of Babel” (1941). Turning to the fantasy novel, we will also read Italo Calvino’s The Nonexistent Knight (1959) which parodies medieval romance and chivalry. The Brazilian movie Executive Order (2020) represents a dystopian country where all African descendants are ordered to “return” to Africa. The course will end with the horror novel Mexican Gothic (2020) by Vancouver-based Mexican-Canadian writer Silvia Moreno-Garcia about a young woman who investigates the strange events at a mansion in the remote Mexican countryside. Discussion of these masterpieces of speculative fiction will be informed by readings of non-fiction that deal with intertextuality, historiographic metafiction, psychoanalysis, and biopolitics. Language of instruction is English.


Language of instruction: English

Instructor: Dr. Antje Ziethen

Prerequisites: No prerequisites

In-class Participation 15%
Presentation 5%
CLAS (Collective Annotation Online) 20%
2 Exams 40%
Final Paper 20%

Bookstore or E-Book:

  • Italo Calvino, The Nonexistent Knight ISBN 9780544959101 0544959108
  • Silvia Moreno-Garcia, Mexican Gothic ISBN 978-0525620785 0525620788

Canvas:

  • Guy de Maupassant “The Horla”
  • Jorge Luis Borges “The Garden of Forking Paths” and “The Library of Babel”
  • Lazaro Ramos, Executive Order (movie)
  • Non-Fictional Readings

RMST321

The Grail Quest: Myth, Mystery and Romance

Cross-listed with MDVL 301

Dante Gabriel Rossetti, The Damsel of the Sanct Grael (1874).

From Tennyson to Indiana Jones and The Da Vinci Code, much has been written and imagined about the Grail, but the earliest appearances of this mysterious artifact in medieval French literature are sometimes overlooked. This course is an opportunity to return to the great 12th and 13th century romances that first introduced the Grail and helped define it for subsequent generations.

Though the Grail is usually described today as the cup from which Christ drank at the Last Supper, early Grail romances are less clear on the matter. Chrétien de Troyes’ seminal Story of the Grail (c. 1180-1190) never quite explains the nature of the strange artifact that Perceval, a naive young man barely knighted by king Arthur, encounters during his adventures. In seeking to solve the mysteries left by Chrétien’s unfinished tale, however, his continuators and imitators built the Grail into an explicitly Christian relic, in line with the new religiosity of the early 13th century. The anonymous Quest of the Holy Grail (c. 1220) cements this interpretation and displaces Perceval in favour of a new hero, Galaad, a knight so pure and chaste as to be otherworldly: his adventures and those of his companions take place in a heavily allegorical version of the Arthurian world where every encounter has a deeper spiritual meaning.

In addition to these two romances, we will also study three short Welsh texts. Two are drawn from the Mabinogion: the romance of Peredur, which is a loose adaptation of Chrétien’s Story of the Grail, but might reflect earlier versions of the tale; and Branwen, the second branch of the Mabinogi, an early Welsh tale of war, death, rebirth and magic cauldrons, that hints at some of the earliest Celtic beliefs that may have influenced Chrétien’s work. The third, The Spoils of Annwfn, is a cryptic poem that tells of a trip by Arthur and his men to the mysterious Other World.

Throughout this course we will explore the themes of belief, valour, knowledge and fulfillment that unite the different early versions of the tale, despite their canonical divergences. The Grail quest, after all, is rarely about the Grail itself: it’s about self-discovery and finding the true nature of things beyond the veil of appearance.


Language of instruction: English

Instructor: Dr. Patrick Moran

Prerequisites: No prerequisites
Informal recommendation: As this is a 300-level course, it will entail reading, analysis, and independent research. Informal prerequisites: a sense of curiosity and an openness to wonder.

MDVL 301/RMST 321 is typically graded the following way:

Weekly Questions on Reading Assignment (= answer 1 out of a choice of 3 questions/week) – 15% (1.5% per week)
Short Essays – 30% (best mark of 1, 2 or 3 essays available during the term)
Outline of Final Paper – 15%
Final Paper – 40%

Chrétien de Troyes, Arthurian Romances, William W. Kibler & Carleton W. Carroll (trans.), Penguin Classics, 1991

The Quest of the Holy Grail, Pauline M. Matarasso (trans.), Penguin Classics, 1969

The Mabinogion, Sioned Davies (trans.), Oxford World’s Classics, 2008

FREN321

Critical Writing

The course topic differs each term, depending on the instructor.

FREN 321 provides advanced training in writing for university-level writing in French. You will be exposed to a variety of types of texts in French that requires you to think critically and creatively, support your claims, and appropriately acknowledge sources of information, which is particularly relevent in our AI-generated tools era. From analytical reading to producing argumentated writing, you will be introduced to the art of revision, focusing on the formal study of usage and grammar, the mastery of rhetorical strategies, and the careful reading of academic and non-academic texts as models. This course will give you the tools to encounter the various stages of the writing process with confidence (brainstorming, gathering evidence, considering audience, drafting, revising, editing, and proofreading).

The teaching approach is learner-centered and inclusive. A learner-centered approach means that you are a part of your learning. Therefore, you will need to develop strategies of learning in conducing both invididual and group work. It also means that I will adjust content based on your needs to the best I can to support a positive learning experience for you. An inclusive approach means that everyone matters in regards of your identity (racial, gender, sexual) and/or accessibility needs. In this class, equity matters so you are welcome to use the non-binary pronoun "iel" and further inclusive forms of writing.

Instructor: Dr. Caroline Lebrec

Grading breakdown:

In-Class Active participation 15%
Reflective Journal of your learning experience 10%
Peer Reviews on Canvas Discussions 10%
Assignments (writing tasks) 20%
Mid-term 20%
Final paper 25%

NOT 100% => 125%

Introduction aux méthodologies de l’analyse littéraire

This is an introduction course on how to perform literary analysis, with an emphasis on French methodology for close reading and argumentative writing. Focus on four analytic tools in particular: figures du discours, résumé de texte, commentaire de texte, dissertation française. We will study diverse ranges of genre and sources: prose fiction, poetry, social sciences, and journalistic production. Elements of bibliographical research will also be included. The goal for this course is to equip students with critical terms to further their literary studies. Course materials will be provided in class: on Canvas (links included on the syllabus), or via the Koerner Library webpage.

Instructor: Dr. Farid Laroussi

Grading breakdown:

Barème
Participation (+ activités en groupes) 15%
Un examen partiel (mid-term) 20%
Deux analyses critiques (600-700 mots) : une analyse sur le résumé, l’autre sur le commentaire de texte, 30%
Un devoir final (1200-1300 mots) 35%


Language of instruction: French

Prerequisite: One of FREN 123, FREN 302.

ITST380

Italian Food Cultures

Italy is world-renowned for its food cultures and Italians put great care into food preparation, consumption, and appreciation. It’s no wonder that Italian food-related themes permeate the country’s cultural life and beyond. This course will examine representations of Italian or Italian-derived foodways and the role they play in articulating larger issues concerning contemporary Italy, including regionalism, anti-globalization, family history, gender and sexual identities, Italian American food, tourism in Italy, and immigration to Italy. Students will form a complex picture of Italy’s relationships with food cultures in a global context. Class assignments and final projects will allow students to explore their critical and/or creative views of class materials. The course assumes no prior knowledge of Italian. But it requires a passion for Italian food and culture!

Prerequisites: No prerequisites

Language of instruction: English

FREN352

French Grammar

Les sept arts libéraux dans l'Hortus deliciarum d'Herrade de Landsberg (1180)

Welcome! Languages are patterns that can be reproduced and predicted, so by recognizing these patterns, you can acquire better and more durable knowledge of that language. This is what this course is about: helping you get an overview of the structures and systems of French so that you can read any text, reach a higher level of expression and understanding, and appreciate the French language even more.

In order to teach grammar in a more inclusive way, exercises, descriptions and lessons adopt a descriptive approach (describe what can be observed) and not a prescriptive approach (judge “good” or “bad” grammar and apply rules) of French Grammar.

This hands-on class provides students with a complete overview of the fundamentals of French Grammar. Students will learn to apply theoretical concepts to grammar exercises and and close reading of literary texts (grammar in context). They will acquire the basics of analyse logique (parsing), a tool aimed at increasing students’ comprehension and production of complex sentences and gain confidence in their reading of challenging French authors as well as in their own written production.


Language of instruction: French

Instructor: Dr. Isabelle Delage-Béland

Prerequisite: One of FREN 123, FREN 302.
Recommended prerequisite: FREN 401, FREN 402.

At-home open book review quizzes = 10%
End-of-unit open book 2-stage tests = 55% (15% [10% + 5%] + 20% [15% + 5%] + 20% [15% + 5%])
In-class open book workshops = 15%
Active participation and engagement = 10%
Final project - portfolio = 10%
Total = 100%

*This information is subject to change.

Required texts:

Required materials will be available on Canvas.

Recommended texts:

Le Grevisse de l’étudiant, Cécile Narjoux, De Boeck Supérieur, Paris, 2021.

FREN427

Cinéma français

Ce cours a pour objectif d’initier les étudiant(e)s à l’histoire du cinéma français, du début du siècle dernier jusqu’à nos jours, en fonction de ses grandes lignes d’évolution esthétique et idéologique. En guise d’introduction, nous aborderons les principales étapes qui ont marqué le cinéma français avant 1945: l’âge d’or du cinéma muet, la naissance et les premiers classiques du cinéma parlant, le réalisme poétique de la fin des années 1930, le cinéma sous l’Occupation et à l’époque de la Libération. Cela fait, nous aborderons le cinéma de la Nouvelle vague et celui des années 1960 à 2000. Finalement, nous consacrerons la dernière partie du cours à l’étude des principaux aspects de la cinématographie française plus contemporaine (2000-2015).

Lecture obligatoire: René Prédal. 2018. Histoire du cinéma français. Paris: Nouveau Monde Éditions.

Prerequisites: One of FREN 321, FREN 328, FREN 329 and one of FREN 225, FREN 402.

Language of instruction: French

FREN402

Upper-Intermediate French II

Alfred Pellan, Canada Ouest, 1942-1943.

The Department of FHIS offers a series of eight courses designed to build students’ skills progressively in the four basic communicative functions of listening, reading, writing, and speaking. FREN 402 is the second of a pair of Upper-Intermediate courses—401 and 402—aligned with level B2 objectives of the Common European Framework of Reference (CEFR).

The course is open to all students with a sufficient level of French, whether they are in 1st, 2nd, 3rd, or 4th year.

With an approach that is communicative and collaborative, inductive and interactive, the course aims to refine the skills acquired in Intermediate French I & II or equivalent courses and to enhance students’ knowledge of French and the Francophone world. Students will be able to consolidate and expand their writing, reading, comprehension, and speaking skills in French.

The course is devoted to providing students with tools for interacting with a degree of fluency and spontaneity that makes regular interaction in French possible without strain.

The course is focused on:

  • grammatical analysis, vocabulary enrichment, and socio-cultural competency using a wide variety of authentic documents of the French-Speaking world (news, literature, songs, etc.);
  • the deep understanding of both concrete and abstract topics in a complex document (written or oral);
  • the ability to research Francophone relevant resources and synthesize them;
  • the production of clear, detailed, nuanced, and well-structured written and oral communication on a number of topics (use of critical thinking and creativity, construction of arguments to defend one’s opinion and explain one’s viewpoint, use of rhetorical strategies);
  • the ability to correct one’s own mistakes (when writing or speaking) and constantly improve;
  • the development of learner’s autonomy.

Both individually and in collaborative small groups, students will produce and share ideas in workshops, whole class discussions, oral presentations, debates, or other writing assignments. French grammatical structures such as relative pronouns, the passive form, the subjunctive, and logic connectors will be studied within a task-based approach so that students reach a greater degree of complexity and sophistication when expressing themselves.

Language of instruction: French

Recommended prerequisites: One of FREN 224, FREN 401, or assignment based on placement test

***No final exam!***

Short grammar quizzes (open book, at home) = 20% (4 x 5%)
Oral midterm (discussion) = 10%
Reading and listening comprehension midterms = 20% (2 x 10%)
Written production = 15%
Creative and collaborative experiential project = 15%
Individual blog = 10%
Active participation and engagement = 10%

Total = 100%

*This information is subject to change.

La nouvelle grammaire en contexte : notions et exercices – niveau intermédiaire, by Sarah Bertrand-Savard, Marie-Maude Cayouette, Claire Minet, and Suzie Beaulieu (Anjou [Québec], Les Éditions CEC, 2018 [2013]).

Required for both FREN 401 and FREN 402.

*Extra documents and resources will be provided by the instructor throughout the term.

FREN401

Upper-Intermediate French I

Kittie Bruneau, Cercle éternel, 1981.

The Department of FHIS offers a series of eight courses designed to build students’ skills progressively in the four basic communicative functions of listening, reading, writing, and speaking. FREN 401 is the first of a pair of Upper-Intermediate courses—401 and 402—aligned with level B2 objectives of the Common European Framework of Reference (CEFR).

The course is open to all students with a sufficient level of French, whether they are in 1st, 2nd, 3rd, or 4th year.

With an approach that is communicative and collaborative, inductive and interactive, the course aims to refine the skills acquired in Intermediate French I & II or equivalent courses and to enhance students’ knowledge of French and the Francophone world. Students will be able to consolidate and expand their writing, reading, comprehension, and speaking skills in French.

The course is devoted to providing students with tools for interacting with a degree of fluency and spontaneity that makes regular interaction in French possible without strain.

The course is focused on:

  • grammatical analysis, vocabulary enrichment, and socio-cultural competency using a wide variety of authentic documents of the French-Speaking world (news, literature, songs, etc.);
  • the deep understanding of both concrete and abstract topics in a complex document (written or oral);
  • the ability to research Francophone relevant resources and synthesize them;
  • the production of clear, detailed, nuanced, and well-structured written and oral communication on a number of topics (use of critical thinking and creativity, construction of arguments to defend one’s opinion and explain one’s viewpoint, use of rhetorical strategies);
  • the ability to correct one’s own mistakes (when writing or speaking) and constantly improve;
  • the development of learner’s autonomy.

Both individually and in collaborative small groups, students will produce and share ideas in workshops, whole class discussions, oral presentations, debates, or other writing assignments. French grammatical structures such as relative pronouns, the passive form, the subjunctive, and logic connectors will be studied within a task-based approach so that students reach a greater degree of complexity and sophistication when expressing themselves.

Language of instruction: French

Recommended prerequisites: one of FREN 123, FREN 302, or French Immersion 12, or assignment based on placement test

***No final exam!***

Short grammar quizzes (open book, at home) = 20% (5 x 4%)
Oral midterm (discussion) = 10%
Reading and listening comprehension midterms = 20% (2 x 10%)
Written production = 10%
Group project = 10%
Individual blog = 10%
In-class workshops = 10%
Active participation and engagement = 10%

Total = 100%

*This information is subject to change.

La nouvelle grammaire en contexte : notions et exercices – niveau intermédiaire, by Sarah Bertrand-Savard, Marie-Maude Cayouette, Claire Minet, and Suzie Beaulieu (Anjou [Québec], Les Éditions CEC, 2018 [2013]).

Required for both FREN 401 and FREN 402.

*Extra documents and resources will be provided by the instructor throughout the term.

FREN302

Intermediate French II

The Department of FHIS offers a series of eight courses designed to build students’ skills progressively in the four basic communicative functions of listening, reading, writing, and speaking. FREN 302 is the second of a pair of Intermediate courses—301 and 302—aligned with level B1 objectives of the Common European Framework of Reference (CEFR).

With an approach that is communicative and collaborative, inductive and interactive, the course aims to reinforce the skills acquired at the A1 and A2 levels and provides students with the tools to understand and use French independently. At the B1 level, you will have the opportunity to go beyond everyday communication situations in order to express yourself on current social and cultural issues.

In FREN 302, you will strengthen your existing skills with a view toward more advanced language practice. Whether you intend to continue your studies in French (in literature, culture, or linguistics courses) or simply maintain your French beyond this course, you will develop the strategies needed to achieve your goals.

Note: This course is not available for credit to students with French Immersion 12 or those who were educated in a Francophone school.

In FREN 301 and FREN 302, you can expect to:

– Consolidate and refine previously acquired grammar points (such as pronouns and past tenses) and learn new structures (such as the subjunctive, complex past tenses, and logical connectors) to enrich both spoken and written expression.

– Explore a wide variety of themes (e.g., art, travel, work, ecology, relationships, new technologies, etc.), which will serve as topics for discussion, writing, and vocabulary expansion.

– Study authentic materials (literary excerpts, news articles, videos, podcasts, songs, etc.) to strengthen key language skills (reading, writing, listening, and speaking).

– Develop intercultural skills through activities focused on various Francophone cultures, both in Canada and around the world.

– Acquire tools to express and justify your opinion, recount an experience, describe and analyze a work of art, talk about your plans and wishes, and give advice, among other abilities.

– Work individually, in small groups, and with the whole class to explore different ways of learning and mastering the language.


Language of instruction: French

Recommended pre-requisites: one of FREN 122, FREN 301, or assignment based on placement. Credit will be granted for only one of FREN 302 or FREN 123. Equivalency: FREN 123.

Note: Not available for credit to students with French Immersion 12 or if you were educated in a francophone school.

Participation and Community Engagement = 10%
End-of-unit tests = 50% (15% + 15% + 20%)
Group Project = 10%
Individual Project = 10%
In-class Workshops = 10%
Oral Assignment = 10%
Total = 100%

*This information is subject to change.

Édito B1 – Livre de l’élève, Élodie Heu et al., Didier FLE, 2023.

ISBN: 9782278108541

Édito B1 – Cahier d’activités, Élodie Heu et al., Didier FLE, 2023.

ISBN: 9782278108527