SPAN470A

SPAN470A

Literatura y derechos humanos en América Latina

Este curso se propone examinar la compleja relación entre literatura y derechos humanos en América Latina, desde la llegada de los europeos al Nuevo Mundo hasta hoy en día. Con un enfoque particular en las letras coloniales, nos preguntaremos cuál ha sido el impacto de los abusos y/o la defensa de los derechos humanos en la literatura latinoamericana y, viceversa, cuál es la contribución de la literatura a los debates sobre los derechos humanos. Más específicamente, discutiremos nociones cruciales, como el trauma, el afecto, la resistencia y la descolonización mediante análisis textuales y la lectura crítica de obras secundarias relevantes en torno a los desafíos y limitaciones de la teoría de los derechos humanos (Galeano, Quijano, Sousa Santos, Zavala, Žižek, etc.). Asimismo, recibiremos la visita de miembros de organizaciones no gubernamentales que se dedican a la implementación de los derechos humanos en las Américas.

Lecturas obligatorias:

Las siguientes lecturas estarán disponibles en Canvas:

Ayala, Guamán Poma de. El primer nueva corónica y buen gobierno (pasajes)

Barrioso, Mariano, dir. En el tiempo de las mariposas (película)

Casas, Bartolomé de las. Brevísima relación de la destrucción de las Indias (pasajes)

Cruz, Sor Juana Inés de la. Loa al Cetro de José

Dorfman, Ariel. La muerte y la doncella

León-Portilla, Miguel, ed. Visión de los vencidos (pasajes)

Menchú, Rigoberta (y Elisabeth Burgos-Debray, ed.). Me llamo Rigoberta Menchú y así me nació la conciencia (pasajes)

Múltiples autores. “43 poetas por Ayotzinapa” (pasajes)

Partnoy, Alicia. La escuelita 

Sepúlveda, Juan Ginés de. Demócrates segundo o De las justas causas de la guerra contra los indios (pasajes)

Viscardo y Guzmán, Juan Pablo. Carta a los españoles americanos

Yupanqui, Titu Cusi. Instrucción (pasajes)

Prerequisite: SPAN 221 and SPAN 302

Note:
SPAN 470 may be taken twice for credit, with different content, to a maximum of 6 credits.

Language of Instruction: Spanish

Course Registration

SPAN406

Breaking the Mold: Gender Representation(s) in Hispanic Literature and Culture

Sandra Eleta, Artist Edita (la del plumero), Panamá (Edita, Panama), from the series La servidumbre (Servitude), 1978–89. Courtesy of Galería Arteconsult S.A., Panama.

This course applies an interdisciplinary and intersectional approach to study the representation of women and gender in film, literature, visual arts and drama. While providing a broad overview of scholarly research and theory pertaining to women and gender, centered on underrepresented communities in the Hispanic world, you will also analyze how women themselves produce and/or respond to representations of gender and women’s experience. You will learn how diverse artists sought and continue to seek new languages and forms, whether in photography, performance, poetry, etc. to reassess and re-imagine notions of sex, sexuality, gender, race and ethnicity that underlie many forms of social injustice and oppression.

Texts will feature theorists and scholars as Crenshaw, Butler, Lorber, Hooks, and Lorde, among others; films as Roma, La nana and Flores de otro mundo; some of the foremost female writers of Spanish Golden Age as María de Zayas and Sor Juana Inés de la Cruz; and contemporary visual artists as Eleta, Burga, Gaspar, Yutsil, Bornstein and Muholi.

Required texts:

All required readings and videos will be provided on Canvas.


Prerequisites: SPAN 221; and SPAN 301 or equivalent expertise in written and spoken Spanish.

Language of instruction: Spanish

SPAN405F

From Text to Palate: Literature, Food and Society in Spain and Latin America

I took the little book from the angel’s hand, ate it, and it tasted as sweet as honey utters John in the Bible. The ancient link between food and books is particularly significant in the Hispanic World where eating has always been essential in defining individuals, groups, cultures, and societies. Through an interdisciplinary approach to Hispanic texts and voices from a wide range of time periods (Don Juan Manuel, Lope de Rueda, Cervantes, Josep Plá, Manuel Vicent, Cabeza de Vaca, Ricardo Palma, Laura Esquivel, Martín Caparrós), this course studies food (everything ingested including liquids and medicines) as a cultural product concocted by forces such as ritualization, colonization, technology, travelling or globalization. We will pay particular attention to the intersections of food with economy, religion, social class, gender, health, and language. IN SPANISH

Prerequisite: SPAN 221 and SPAN 302

Note:
SPAN 405 may be taken twice for credit, with different content, to a maximum of 6 credits.

Language of Instruction: Spanish

Course registration

SPAN402

Upper Intermediate Spanish II

Spanish 402 is the next level of language proficiency for those who have completed Span 302, 401, or have an equivalent language competence, and for bilingual  students.

With an approach that is communicative and interactive, Span 402 fosters experiential learning and critical reflection through reflection, collaboration and community engagement. It  aims to refine the skills acquired in Span 302, while broadening students’ knowledge of the Spanish language and the Hispanic world. The course concentrates on key linguistic and contextual concepts, methods, and approaches of discourse analysis, as well as metalinguistic reflection.

Students will have the opportunity to consolidate and expand their language and communicative proficiency (speaking, listening, reading, and writing) skills as well as intercultural compentencies. Through the exploration of complex aspects of the language from a discursive perspective, beyond the sentence level, students will delve into syntactic, morphological, and semantic resources through various discursive genres, including literature, criticism, and journalism,  practice in academic writing, critical discussions of reading and audiovisual materials.

Span 402 gives student the opportunity to put into practice what they learn hands on by engaging actively with the Spanish speaking community, locally and abroad, developing projects through Spanish for Community.

The reading and audiovisual materials are freely accessible online. Instead of a final exam, students will submit a portfolio showcasing best examples of their course work and self reflection. Prerequisites for the course include completion of Span 302, 401, or an equivalent level with permission from the instructor.

The course is focused on:

  • Grammatical analysis, vocabulary enrichment, and socio-cultural competency using a wide variety of authentic documents from the Spanish-speaking world, including literature, criticism, journalism, and more.
  • Deep understanding of both concrete and abstract topics in complex written and oral texts.
  • Researching and synthesizing relevant resources.
  • Producing clear, adequate, nuanced, and well-structured written and oral communication on a range of topics, utilizing critical thinking, creativity, and rhetorical strategies.
  • Fostering learner autonomy and self-reflection.
  • Applying  communicative skills in  real contexts by engaging and collaborating  with the Hispanic community.

Learning objectives include:

  • Expanding the capacity for reflective analysis of linguistic and stylistic mechanisms in the production of literary and non-literary texts.
  • Distinguishing and utilizing complex grammatical resources in written and oral communication within specific contexts.
  • Applying strategies of academic writing to create coherent, cohesive, and appropriate argumentative texts, while recognizing different levels of formality and lexical specificity.
  • Practicing comprehensive reading and interpreting literary and non-literary texts critically.
  • Extracting specific information from bibliographic sources.

Developing communication skills and  critical thinking skills for addressing social issues and/or for enriching community life though community engaged language projects.


Prerequisite: SPAN 302 or equivalent expertise in written and spoken Spanish.

Language of instruction: Spanish

SPAN401

Upper Intermediate Spanish I

Spanish 401 is an intensely practical advanced language course aim to strengthen fluency and accuracy in spoken and written communication with emphasis on mediation, interpretation, and metalinguistic competencies through translation (English into Spanish) and comparative stylistics. Through a variety of activities from different professional specializations (Business, Journalism, Public Relations, and Literary and Cultural Studies), students will approach the nuances of mediation and contrast be- tween languages, learn about theories and techniques of translation, grammatical and structural over- laps (or divergences) between Spanish and English, and discuss questions of fidelity, ethical implications and fluidity when interpreting voice, culture, and text. Ultimately, students will improve speaking, listening, reading and writing skills in Spanish and overall understanding of the translation process and all of its intricacies. Participants must be highly proficient in both Spanish and English.

  • Spanish 401 has a community service-learning component through Spanish for Community that gives the students the opportunity to directly apply theory and practice in real and meaningful contexts, through translation projects for community organizations, local and abroad.
  • This course also provides an introduction to career options in translation and interpretation, through a guest-speakers series, experts and members of Society of Translators and Interpreters of British Columbia.
  • This course has a final portfolio in lieu of written final examination.
  • Readings materials will be provided as course package.

Language of instruction: Spanish

Recommended prerequisites: SPAN 302 or equivalent expertise in written and spoken Spanish

In-class Participation and Attendance (15%)
Tareas and discussions (10%)
Community Engaged Learning Component (10%)
Exams (40%)
Translation Portfolio (25%)
(This information is subject to change however it an example to help students make an informed decision)

Patricia V. Lunn, Ernest J. Lunsford, En otras palabras: perfeccionamiento del español por medio de la traducción, tercera edición. Georgetown University Press, 2021.

Other resources will be made available on UBC Canvas.

SPAN365

Modern Magics: Spanish-American Literature and Culture since the 1820s

This course aims to familiarize students with major concepts in Latin American literature through a discussion of representative works from the most important aesthetic movements of the past two centuries, such as modernismo, realismo mágico, the Boom, testimonio, and the Post-Boom. By studying a selection of canonical Latin American works from different regions and literary genres (poetry, essays, prose, etc.), students will become familiar with the ways in which Latin American literature and culture have influenced, critiqued, and been shaped by issues such as colonialism, national identity, race, gender, migration, nature, and political violence.

The theme of our course is “Continuidades y Rupturas,” which speaks to the literary anxieties experienced in the Spanish-speaking Americas since Independence. To that end, we’ll consider how Latin American authors participate in and break with the (Ancient, Classical, European, U.S., etc.) literary tradition, as well as how these anxieties mirror and echo political, economic, and broader cultural anxieties. Spanish is the language of course readings, discussions, and assessments (written/oral).

Language of instruction: Spanish

Recommended prerequisites: SPAN 221; and SPAN 301 or equivalent expertise in written and spoken Spanish

Participation and preparation: (25%)

Participation (10%)
Discussions and class preparation (15%)

Essay: (27%)
Abstract.
First Draft
Peer Review
Final Essay.

Exams (42%)

Midterm (20%)
Final Exam (22%)

Creative Answer (5%)

Required readings:

  • Course materials will be provided on Canvas.

Recommended readings:

  • Spanish-American Literature, Jean Franco
  • A Companion to Latin American Literature and Culture, Sara Castro Klarén

 

SPAN364

Survey of Spanish American Literature to the 1820s

Lienzo de Tlaxcala (ca. 1585)

¿Qué es el colonialismo y en qué consiste su legado en América Latina? En este curso intentaremos contestar esta pregunta al analizar los textos más representativos de la llamada “literatura colonial” teniendo en cuenta una gran variedad de perspectivas (indígena, mestiza, española, criolla, etc.) y reflexionando sobre la pedagogía decolonial. Ubicaremos cada una de las obras seleccionadas dentro de su género y contexto sociohistórico para entender la interacción entre los variados aspectos con los que va tomando forma el discurso americano. Complementaremos nuestras lecturas con el estudio de la cultura material, el arte visual y las producciones no alfabéticas locales (sobre todo códices, quipus y mapas) de ese período. Al final del curso se harán breves incursiones por la literatura y el cine contemporáneos para evaluar la herencia del pasado colonial en la problemática social y cultural de la América Latina actual.

Language of instruction: Spanish

Recommended prerequisites: SPAN 221; and SPAN 301 or equivalent expertise in written and spoken Spanish

Attendance and participation: 15%
Discussion Board: 15%
Oral presentation: 15%
Midterm: 25%
Multimedia project: 30%

Todos los textos obligatorios estarán disponibles en el sitio de Canvas. Se trata de una selección de Voces de Hispanoamérica: antología literaria (eds. Malva E. Filer y Raquel Chang-Rodríguez, 5ª ed.), complementada por algunos documentos adicionales.

SPAN358

Divergent Visions: Peninsular Literature and Culture since 1700

El curso es una introducción panorámica a la historia y los principales movimientos culturales de España durante los siglos XVIII y XIX en el contexto europeo: neoclasicismo, romanticismo, realismo y naturalismo.


Prerequisite: SPAN 221; and SPAN 301 or equivalent expertise in written and spoken Spanish.

Language of Instruction: Spanish

SPAN357

Fictions and the Art of Storytelling: Entre Burlas y Veras

Gustave Doré, illustration for the frontispiece of Don Quixote, 1863, engraving by Héliodore Pisan, Paris: Hachette.

What makes great fiction? How do literary fictions, whether in film, drama, poetry or prose, engage with, reflect, and/or distort our view of the word? How do we tell apart fiction from reality? How can we distinguish between something that is “true” and something that is “real”?

This course offers an introduction to Medieval and Golden Age Spanish literature, through the close-reading of renowned masterpieces of storytelling that have shaped Spain, Latin America and cultures across the world. Texts could include remarkable Works, such as Rojas’ tragicomedy, La Celestina, Cervantes’ novel, Don Quijote de la Mancha (selection), Calderón’s drama, La vida es sueño, and Sor Juana’s comedy, Los empeños de una casa. We will also consider key conceptual and formal aspects of various genres (prose, poetry, drama), as well as explore crucial questions in relation to the themes of lies, truth(s) and their many overlaps, which shape our understanding of what is fiction and reality.

Language of instruction: Spanish

Recommended prerequisites: SPAN 221; and SPAN 301 or equivalent expertise in written and spoken Spanish

Assignment                                                                        Percentage

Participation & Preparation                                                   10%

Weekly Discussions                                                                 15%

Post-Class Activity                                                                   10%

Leading Discussion                                                                  10%

Response Papers (2)                                                                30%

Final Essay                                                                                 25%

Required readings:

Most required readings will be posted as PDFs on Canvas.

Recommended readings:

  • Cervantes, Novelas ejemplares (vol. 2), Cátedra – 9788437602219
  • Anónimo, El Abencerraje y la hermosa Jarifa, Cátedra – 9788437602387
  • Fernando de Rojas, La Celestina – Juan de la Cuesta, 9781589770119 or Cátedra, 9788437607009
  • Anónimo, Vida de Lazarillo de Tormes y de sus fortunas y adversidades – Juan de la Cuesta, 9781589770027 or Lazarillo de Tormes, Cátedra, 9788437606606
  • Pedro Calderón de la Barca, La vida es sueño. Ed. Ciriaco Morón. Madrid: Cátedra, 2006.
  • Sor Juana Inés de la Cruz, Los empeños de una casa. Ed. Celsa Carmen García Valdés. Madrid: Cátedra, 2010.
  • Alan Deyermond, et al. A Literary History of Spain I-III: The Middle Ages and the Golden Age (Barcelona: Ariel, 2008).
  • John H. Elliott, Imperial Spain, 1469-1716, 2nd ed. (London: Penguin, 2002).

SPAN321

Tradition and Diversity in Spanish History and Culture

El curso es una visión panorámica de la historia y la cultura de España desde la prehistoria hasta el siglo XVIII.  Se enfocará en los principales acontecimientos políticos, sociales, económicos, religiosos y culturales.  El objetivo es comprender cómo se ha ido forjando su identidad plural a través de los siglos, en una lucha constante y tensa entre centro y periferia, y entre tradición y progreso.

Los objetivos de este curso son:

1) que el estudiante tenga una introducción a la historia y la cultura de España en el contexto Europeo hasta el comienzo del siglo XVIII.

2) que conozca el papel relevante de España y sus aportaciones a la vida y la cultura occidentales (por ejemplo, en el campo del derecho internacional).

3) que entienda cómo se ha formado la identidad española a partir de la fusión de múltiples razas y culturas, y la constante lucha entre tradición y progreso, centro y periferia.

4)  que comprenda el origen de la España plural de las Autonomías y su problemática (por ejemplo, la cuestión del anhelo de independencia de Catalana).

5) que aprenda a examinar con ojos críticos ciertos tópicos y lugares comunes sobre España, y comprenda la razón de ser y la complejidad de ciertos fenómenos y eventos [la Inquisición, las relaciones con América, o la expulsión de los judíos y los moriscos de la Península]

6) que entienda la necesidad de poner el arte, la literatura y otras manifestaciones culturales en relación con el contexto social, político, económico y filosófico del momento. Sólo así será posible interpretarlas y disfrutarlas.

7) que ponga las bases necesarias para poder entender plenamente, en cursos posteriores, los textos literarios y culturales que estudie en profundidad.

8) que desarrolle interés por la política, la economía y la cultura de España (que va más allá, por ejemplo, de que a uno no le gusten las corridas de toro, pero le entusiasme la paella, el flamenco y Almodóvar).

9) que siga profundizando en su conocimiento de la lengua española, especialmente en lo relativo a la lectura, el incremento del vocabulario, y la capacidad auditiva.

Language of instruction: Spanish

Prerequisite: One of SPAN 202, SPAN 203 or successful completion of language placement exam or an assessment interview

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