RMST243

RMST243

Italian Fashion Cultures

In 2022, Italy’s newly-elected, right-wing prime minister, Giorgia Meloni, re-named a previous trade ministry as the “Ministry for Business and Made in Italy,” thereby invoking a key marker of Italian commercial, group, and cultural identity. Since the end of the WWII, the garment and accessories sector has been traditionally recognized as a pillar within the Made in Italy industries.

“Italian Fashion Cultures” examines both the national history of Italian fashion since the post-WWII period and its global dimensions. The course delineates the dynamics among the country’s fashion capitals (Florence, Rome, and Milan), with a focus on the apparel sector’s growth during the 1950s–1970s. We also probe how and why Italian fashion has developed in response to the clothing sector’s exigencies and creative tension with France, the United States, and China.

The course highlights ready-to-wear and fast fashion, the two most significant categories of the fashion world today. Cultural appropriation, decoloniality, and sustainability are examined throughout the course in relation to the course’s primary texts, including fashion journalism, websites, social media, advertising, literature, films, and artworks.

Students are encouraged to consider three central questions:

(1) how clothing is represented in the primary texts to influence the audience’s cognitive and affective knowledge;

(2) how fashion helps forge individual, brand, national, and other cultural identities;

(3) given the ubiquitous presence of fashion branding, how these narratives articulate the Made in Italy cachet (e.g., added symbolic values) to consumers?

The course does not assume student’s prior knowledge of Italy or Italian fashion. Oral presentations and a final project (in the format of a critical essay, a short film, a multimedia project, or creative writing) are the main tools of assessment of learning outcomes. Regular attendance in class lecturing and participation in group discussions and in-class activities are essential for developing critical and analytical skills for these assessment activities.


Language of instruction: English

Instructor: Dr. Gaoheng Zhang

Prerequisites: None

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Final project: 25%
Prospectus: 10%
“Fashion Stories” (four improvised oral presentations and written reflections): 40%
In-class activities: 20%
Class discussions: 5%

Coming soon!

RMST440A

Special Topics in Italian Language, Literature and Culture

The Italian Baroque

What is “the Baroque”? Do we now live in Baroque times? And, if so, what would that mean? The Baroque is often reduced to—or dismissed as—an odd style: it’s excessive and exaggerated. And yet, the Baroque is so much more. In this course, we will delve into the Baroque as a specific and most influential way of seeing and interpreting the world during a crucial time in world history: the seventeenth century. This was a period of major upheavals, both scientifically and artistically, including the transition from geocentrism to heliocentrism (Galileo Galilei) and the discovery that the universe is infinite (Giordano Bruno); a rich artistic production from excessive sculptures privileging folds and spirals (Gian Lorenzo Bernini) to powerful women painters (Artemisia Gentileschi); the rise of opera and Baroque music (Monteverdi and Vivaldi) to the rise of horse ballets (Margherita Costa); the invention of the telescope and microscope and—not unrelated!—doubts about our own existence: is our life just a dream and the world a stage? And is there life on other planets? At the same time, the Baroque period was bound up with transoceanic travels and the spread of slavery, colonialism, religious wars and the rise of absolutism. We will explore the Baroque as a fascinating as well as deeply troubling, global phenomenon—with Italy at its centre. As we will explore key Baroque concepts such as the monstrous, ineffable and excessive alongside Baroque’s blurred line between the real and the virtual, we’ll ask ourselves: is ours a Baroque world?

This course is recommended for students with second-year standing or higher. May be taken twice for a total of 6 credits. Credit can only be applied for one of ITAL_V 420 or RMST_V 440. Equivalency: ITAL_V 420. 


Language of instruction: English

Instructor: Dr. Katharina Piechocki

Prerequisites: None

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Coming soon!

Coming soon!

RMST326

Francophone Indigenous Literatures in Dialogue

Photo credit: Glenna Matoush, Not An Act of God

This course takes a comparative approach to explore the work of Indigenous writers, filmmakers and artists in Quebec and BC who engage with the impact of resource extraction on their lands. We will examine how hydro development in particular, often perceived as a form of sustainable energy, is also an extractive industry that has participated in the process of separating Indigenous peoples from their lands. We will put the local case of hydro in BC in dialogue with hydro power in Quebec, a province where hydro development is connected to the Québécois national project and where water symbolizes the resource that led to the province’s economic emancipation. Through the study of life-writing, testimony, autofiction and dystopian fiction, we will explore the themes of relationship to land, culture and kin, and interrogate the dynamics that govern current extractivist and colonialist systems of exploitation and power. Students will engage with literary texts from a variety of genres (poetry, theatre, essay, autobiography), as well as cinema (documentary, short film, archival remix) and visual art (photography, sculpture, public art) to analyze the themes, arguments, rhetorical and visual devices put forward by creators. Through study of historical and contemporary texts, students will gain an understanding of a timely issue at work in BC and Quebec.

This course fulfills the “Place and Power” BA breadth requirement.


Language of instruction: English

Instructor: Dr. Isabella Huberman

Prerequisites: None

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Active Participation 15%
Podcast 15%
Close Reading Test 15%
Group-led facilitation 10%
The Place and Power Project 45%
Stage 1 (10%): Project proposal
Stage 2 (15%): Methods description and close reading case study
Showcase (20%): Presentations and final submission

Required:

  • Antane Kapesh, An, Eukuan nin matshimanitu innu-ishkueu / I Am a Damn Savage and What Have You Done to My Country? Translated by Sarah Henzi. Waterloo: Wilfrid Laurier UP, 2020 [1976]
  • Monnet, Emilie, Okinum, Winnipeg: Scirocco Drama, 2022.
  • Nungak, Zebedee, Wrestling with Colonialism on Steroids. Montreal : Vehicule Press, 2017
  • Pésémapéo Bordeleau, Virginia. Blue Bear Woman. Translated by Susan Ouriou and Christelle Morelli. Toronto: Inanna Publications, 2019
  • Sam-Cromarty, Margaret. James Bay Memoirs and Other Stories, University of Manitoba Press 2026

Recommended:

  • Younging, Gregory, Elements of Indigenous Style A Guide for Writing By and About Indigenous Peoples
  • Vowel, Chelsea, Indigenous Writes: A Guide to First Nations, Métis and Inuit Issues in Canada

RMST317

Introduction to Translation Theories

This course introduces some of the major concepts in translation theory, and focuses on their application to translation practice as well as their limitations in the framework of cross-cultural and multi-disciplinary comparisons. It deals with issues of equivalence, formal properties of texts as objects for analysis at linguistic, semantic, discourse, and pragmatic levels, and emphasizes the importance of a functional approach to translation practice and a descriptive and sociological approach to translation research.

Students will be provided with a comprehensive overview of the discipline of translation studies, raising their awareness of both the diversity of possible approaches to translation and the relationships between these approaches. A wide variety of topics such as how translation shapes our lives and transforms the world, what is lost and found in translation, translating literature and cultural cues, fluency and transparency, register and tone, the author-translator-reader triangle, translating humorous verses, puns, wordplays will be examined through a list of selected readings to provide a foundational understanding of the crucial role that translation plays in our lives.


Language of instruction: English

Instructor: Dr. Irem Ayan

Prerequisites: Second year standing or higher.

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Coming soon!

Coming soon!

French Program Requirements (Pre-2026 Academic Year)

This page displays the French program requirements for students who declared a major, minor, or honours prior to the 2026 Academic Year

Honours in French Language, Literatures and Cultures

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  • FREN (3) 321 Critical Writing
  • FREN (3) 353 Advanced French Grammar

Cluster A: French Literature and Culture from the Middle Ages to the Revolution

  • FREN 331 (3) Arts, Cultures and Society from the Middle Ages to the Revolution
  • FREN 407 (3) Medieval French Literature
  • FREN 408 (3) Renaissance: Studies in 16th-century French Literature
  • FREN 409 (3) Ancients and Moderns: Studies in 17th-century French Literature
  • FREN 410 (3) Enlightenment and Revolution: Studies in 18th-century French Literature
  • FREN 450 (3) Old French
  • FREN 484 (3) History of the Book
  • FREN 485 (3) Early Encounters: Travel Literature and Colonial Writing in French

Cluster B: French Literature and Culture since the Revolution

  • FREN 341 (3) Arts, Cultures and Society from Romanticism to the Present Day
  • FREN 413 (3) Tradition and Modernity: Studies in 19th-century French Literature
  • FREN 414 (3) The Modern and Contemporary French Novel
  • FREN 415 (3) French Digital Culture
  • FREN 416 (3) Contemporary French Literature and Culture
  • FREN 417 (3) Popular Fiction
  • FREN 427 (3) French Cinema
  • FREN 480 (3) French Theory

Cluster C: Francophone Literatures and Cultures

  • FREN 330 (3) Introduction to Quebec Literature
  • FREN 418 (3) African and Caribbean Francophone Literatures
  • FREN 428 (3) Francophone Cinema
  • FREN 430 (3) Quebec Literature and Culture
  • FREN 431 (3) Indigenous Literatures of Francophone Canada
  • FREN 440 (3) Francophonie: History and Current Debates
  • FREN 441 (3) Francophone Literatures and Cultures of North America
  • FREN 442 (3) Cultures of the Francophone World
  • FREN 443 (3) Postcolonial Studies

Cluster D: Language and Linguistics

  • FREN 357 (3) Translation
  • FREN 370 (3) Introduction to French Linguistics
  • FREN 451 (3) French Phonetics
  • FREN 457 (3) Advanced Translation
  • FREN 460 (3) History of the French Language
  • FREN 470 (3) Studies in Modern French Linguistics
  • FREN 472 (3) Morphology and Syntax of the French Language
  • FREN 474 (3) Lexicology and Semantics of the French Language
  • FREN 476 (3) French Language and Societies
  • FREN 477 (3) Contemporary Varieties of French
  • FREN 496 (3) Research Seminar in French Language and Linguistics

Special Topics

  • FREN 395 (3-6) Special Topics Abroad
  • FREN 419 (3) Women’s Writing
  • FREN 420 (3) Selected Topics in French Literature and Culture
  • FREN 455 (3) Creative Writing in French
  • FREN 495 (3) Research Seminar in French Literature and Culture
  • FREN 498 (3) Directed Reading

  • FREN 499 (3) Honours Essay

The Honours Essay represents an extended personal research project (in finished form usually about 20-25 pages typewritten) carried out under the supervision of two members of the Department’s Graduate Faculty: a supervisor who will meet regularly with the student and a second reader.

Preliminary research on the topic chosen is expected to be completed by mid-term, at which time the candidate is required to submit for approval a detailed outline of the projected work. The finished essay is due on the last day of lectures of the term.

The Honours Essay is seen less as an original contribution to knowledge than as a means for providing the student with an opportunity to become familiar with the methodological problems of research as well as with the techniques and problems of scholarly writing.

Students who are planning to do an Honours Essay must submit a proposal to the Major and Honours Advisor. The proposal must include a one-page abstract, a bibliography, and the names of the two professors who are willing to supervise the work.

The proposal should be submitted by November 1, if the student intends to register in this course in January (FREN499-201).

The proposal should be submitted by March 1, if the student intends to register in this course the following September (FREN499-101)

Major in French Language, Literatures and Cultures

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  • FREN 311 (3) Introduction to Literature in French
  • FREN 321 (3) Critical Writing
  • FREN 352 (3) French Grammar
  • FREN 353 (3) Advanced French Grammar
  • FREN 401 (3) Upper-Intermediate French I *
  • FREN 402 (3) Upper-Intermediate French II *

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* If you are a native French speaker or heritage speaker, you may be exempt from FREN 401 and FREN 402. Please contact FHIS Student Programs Coordinator using this online form.

Cluster A: French Literature and Culture from the Middle Ages to the Revolution

  • FREN 331 (3) Arts, Cultures and Society from the Middle Ages to the Revolution
  • FREN 407 (3) Medieval French Literature
  • FREN 408 (3) Renaissance: Studies in 16th-century French Literature
  • FREN 409 (3) Ancients and Moderns: Studies in 17th-century French Literature
  • FREN 410 (3) Enlightenment and Revolution: Studies in 18th-century French Literature
  • FREN 450 (3) Old French
  • FREN 484 (3) History of the Book
  • FREN 485 (3) Early Encounters: Travel Literature and Colonial Writing in French

Cluster B: French Literature and Culture since the Revolution

  • FREN 341 (3) Arts, Cultures and Society from Romanticism to the Present Day
  • FREN 413 (3) Tradition and Modernity: Studies in 19th-century French Literature
  • FREN 414 (3) The Modern and Contemporary French Novel
  • FREN 415 (3) French Digital Culture
  • FREN 416 (3) Contemporary French Literature and Culture
  • FREN 417 (3) Popular Fiction
  • FREN 427 (3) French Cinema
  • FREN 480 (3) French Theory

Cluster C: Francophone Literatures and Cultures

  • FREN 330 (3) Introduction to Quebec Literature
  • FREN 418 (3) African and Caribbean Francophone Literatures
  • FREN 428 (3) Francophone Cinema
  • FREN 430 (3) Quebec Literature and Culture
  • FREN 431 (3) Indigenous Literatures of Francophone Canada
  • FREN 440 (3) Francophonie: History and Current Debates
  • FREN 441 (3) Francophone Literatures and Cultures of North America
  • FREN 442 (3) Cultures of the Francophone World
  • FREN 443 (3) Postcolonial Studies

Cluster D: Language and Linguistics

  • FREN 357 (3) Translation
  • FREN 370 (3) Introduction to French Linguistics
  • FREN 451 (3) French Phonetics
  • FREN 457 (3) Advanced Translation
  • FREN 460 (3) History of the French Language
  • FREN 470 (3) Studies in Modern French Linguistics
  • FREN 472 (3) Morphology and Syntax of the French Language
  • FREN 474 (3) Lexicology and Semantics of the French Language
  • FREN 476 (3) French Language and Societies
  • FREN 477 (3) Contemporary Varieties of French
  • FREN 496 (3) Research Seminar in French Language and Linguistics

Special Topics

  • FREN 419 (3) Women’s Writing
  • FREN 420 (3) Selected Topics in French Literature and Culture
  • FREN 395 (3-6) Special Topics Abroad
  • FREN 455 (3) Creative Writing in French
  • FREN 495 (3) Research Seminar in French Literature and Culture
  • FREN 498 (3) Directed Reading

Minor in French Language, Literatures and Cultures

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  • FREN 311 (3) Introduction to Literature in French
  • FREN 321 (3) Critical Writing
  • FREN 352 (3) French Grammar
  • FREN 353 (3) Advanced French Grammar
  • FREN 401 (3) Upper-Intermediate French I
  • FREN 402 (3) Upper-Intermediate French II

_______

* If you are a native French speaker or heritage speaker, you may be exempt from FREN 401 and FREN 402. Please contact FHIS Student Programs Coordinator using this online form.

Cluster A: French Literature and Culture from the Middle Ages to the Revolution

  • FREN 331 (3) Arts, Cultures and Society from the Middle Ages to the Revolution
  • FREN 407 (3) Medieval French Literature
  • FREN 408 (3) Renaissance: Studies in 16th-century French Literature
  • FREN 409 (3) Ancients and Moderns: Studies in 17th-century French Literature
  • FREN 410 (3) Enlightenment and Revolution: Studies in 18th-century French Literature
  • FREN 450 (3) Old French
  • FREN 484 (3) History of the Book
  • FREN 485 (3) Early Encounters: Travel Literature and Colonial Writing in French

Cluster B: French Literature and Culture since the Revolution

  • FREN 341 (3) Arts, Cultures and Society from Romanticism to the Present Day
  • FREN 413 (3) Tradition and Modernity: Studies in 19th-century French Literature
  • FREN 414 (3) The Modern and Contemporary French Novel
  • FREN 415 (3) French Digital Culture
  • FREN 416 (3) Contemporary French Literature and Culture
  • FREN 417 (3) Popular Fiction
  • FREN 427 (3) French Cinema
  • FREN 480 (3) French Theory

Cluster C: Francophone Literatures and Cultures

  • FREN 330 (3) Introduction to Quebec Literature
  • FREN 418 (3) African and Caribbean Francophone Literatures
  • FREN 428 (3) Francophone Cinema
  • FREN 430 (3) Quebec Literature and Culture
  • FREN 431 (3) Indigenous Literatures of Francophone Canada
  • FREN 440 (3) Francophonie: History and Current Debates
  • FREN 441 (3) Francophone Literatures and Cultures of North America
  • FREN 442 (3) Cultures of the Francophone World
  • FREN 443 (3) Postcolonial Studies

Cluster D: Language and Linguistics

  • FREN 357 (3) Translation
  • FREN 370 (3) Introduction to French Linguistics
  • FREN 451 (3) French Phonetics
  • FREN 457 (3) Advanced Translation
  • FREN 460 (3) History of the French Language
  • FREN 470 (3) Studies in Modern French Linguistics
  • FREN 472 (3) Morphology and Syntax of the French Language
  • FREN 474 (3) Lexicology and Semantics of the French Language
  • FREN 476 (3) French Language and Societies
  • FREN 477 (3) Contemporary Varieties of French
  • FREN 496 (3) Research Seminar in French Language and Linguistics

Special Topics

  • FREN 395 (3-6) Special Topics Abroad
  • FREN 419 (3) Women’s Writing
  • FREN 420 (3) Selected Topics in French Literature and Culture
  • FREN 455 (3) Creative Writing in French
  • FREN 495 (3) Research Seminar in French Literature and Culture
  • FREN 498 (3) Directed Reading

Minor in French Language

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6 credits1, 2:

  • FREN 201 (3) Elementary French I
  • FREN 202 (3) Elementary French II

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1Students starting at an introductory level must complete the requirements leading to FREN 201 (6 credits of 100-level French) before taking the courses required for the Minor.

2Students with credit for secondary-school French 12 may not be required to complete FREN 201 and FREN 202, but may instead be permitted to begin at FREN 301. Please contact FHIS Student Programs Coordinator using this online form.

18 credits of required courses:

  • FREN 301 (3) Intermediate French I
  • FREN 302 (3) Intermediate French II
  • FREN 311 (3) Introduction to Literature in French
  • FREN 352 (3) French Grammar
  • FREN 401 (3) Upper Intermediate French I
  • FREN 402 (3) Upper Intermediate French II

6 credits of selected courses from the following:

  • FREN 321 (3) Critical Writing
  • FREN 330 (3) Introduction to Quebec Literature
  • FREN 331 (3) Arts, Cultures and Society from the Middle Ages to the Revolution
  • FREN 341 (3) Arts, Cultures and Society from Romanticism to the Present Day
  • FREN 346 (3) French at Work
  • FREN 353 (3) Advanced French Grammar
  • FREN 357 (3) Translation
  • FREN 370 (3) Introduction to French Linguistics
  • FREN 395 (3-6) Special Topics Abroad


Questions? Contact Advising.

Spanish Program Requirements (Pre-2026 Winter Session)

This page displays the Spanish program requirements for students who declared a major or minor prior to the 2026 Winter Session

Major

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Required language courses

  • 6 credits of SPAN 101 (3) Beginners' Spanish I and SPAN 102 (3) Beginners' Spanish II, or 3 credits of SPAN 103 (3) Intensive Beginners' Spanish
  • 6 credits of SPAN 201 (3) Elementary Spanish I and SPAN 202 (3) Elementary Spanish II, or 3 credits of SPAN 203 (3) Intensive Elementary Spanish

However, students who have studied Spanish before or for whom Spanish is a heritage language may take a placement test to be exempted from some or all of the above courses. If this is your case, please contact the Student Programs Coordinator at fhis.undergrad@ubc.ca.

Required literature courses 

  • SPAN 221 (3) Introduction to Hispanic Literature
    • SPAN 221 covers major texts, authors, periods, and genres of Hispanic literature, as well as the key concepts, terminology, and practices of literary analysis that serve as a foundation for higher-level Spanish literature courses

Optional courses

  • In addition to the courses shown above, students may consider registering in SPAN 206 (Conversational Spanish I), SPAN 207 (Conversational Spanish II), SPAN 222 (Introduction to Hispanic Culture), and so on.

Required language courses

  • SPAN 301 (3) Intermediate Spanish I
  • SPAN 302 (3) Intermediate Spanish II

However, students who have studied Spanish before or for whom Spanish is a heritage language may take a placement test to be exempted from some or all of the above courses. If this is your case, please contact the Student Programs Coordinator at fhis.undergrad@ubc.ca.

Required literature and culture courses

  • SPAN 357 (3) The Golden Age of Peninsular Literature and Culture
  • SPAN 358 (3) Divergent Visions: Peninsular Literature and Culture since 1700
  • SPAN 364 (3) Colonial Encounters in Spanish-American Literature and Culture
  • SPAN 365 (3) Modern Magics: Spanish-American Literature and Culture since the 1820s

These courses provide broad surveys of Peninsular and Spanish-American literature and culture from the early-modern period to the present. They enable understanding of the broad contexts for more specialized courses at 400-level.

Additional courses

Students must take at least four of the following courses:

  • SPAN 321 (3) Tradition and Diversity in Spanish History and Culture
  • SPAN 322 (3) Dependency and Revolution in Latin American History and Culture
  • SPAN 395 (3-6) Special Topics Abroad
  • SPAN 401 (3) Upper Intermediate Spanish I
  • SPAN 402 (3) Upper Intermediate Spanish II
  • SPAN 403 (3) History of the Spanish Language
  • SPAN 404 (3) From World to Screen: Topics in Hispanic Cinema
  • SPAN 405 (3) Celebrating Diversity: Topics in Peninsular and Latin-American Culture
  • SPAN 406 (3) Breaking the Mold: Gender Representation(s) in Hispanic Literature and Culture
  • SPAN 409 (3) From Text to Stage: Topics in Hispanic Theatre
  • SPAN 410 (3) Multicultural Beginnings: Topics in Medieval Literature and Culture
  • SPAN 411 (3) Hispanic Linguistics
  • SPAN 420 (3) Ascent and Decline: Topics in Golden-Age Peninsular Literature and Culture
  • SPAN 430 (3) Modernization and Autonomy: Topics in Peninsular Literature and Culture since the 18th Century
  • SPAN 450 (3) Discourse and Dialect: Topics in Spanish Language
  • SPAN 470 (3) Imperial Eyes and Foundational Fictions: Topics in Spanish-American Colonial and Nineteenth-Century
  • SPAN 490 (3) Peoples and Nations: Topics in Twentieth- and Twenty-First Century Spanish-American Culture
  • SPAN 495 (3) Research Intensive Seminar in Spanish Literature and Culture

These courses mostly enable more focused analysis of specific issues and topics in Peninsular and Spanish-American literature and culture. SPAN 495 is a research-intensive course that satisfies the Arts research requirement.

Minor

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Required language courses

  • 6 credits of SPAN 101 (3) Beginners' Spanish I and SPAN 102 (3) Beginners' Spanish II, or 3 credits of SPAN 103 (3) Intensive Beginners' Spanish
  • 6 credits of SPAN 201 (3) Elementary Spanish I and SPAN 202 (3) Elementary Spanish II, or 3 credits of SPAN 203 (3) Intensive Elementary Spanish

However, students who have studied Spanish before or for whom Spanish is a heritage language may take a placement test to be exempted from some or all of the above courses. If this is your case, please contact the Student Programs Coordinator at fhis.undergrad@ubc.ca.

Required literature courses 

  • SPAN 221 (3) Introduction to Hispanic Literature

SPAN 221 covers major texts, authors, periods, and genres of Hispanic literature, as well as the key concepts, terminology, and practices of literary analysis that serve as a foundation for higher-level Spanish literature courses.

Optional courses

  • In addition to the courses shown above, students may consider registering for instance in SPAN 206 (Conversational Spanish I), SPAN 207 (Conversational Spanish II), SPAN 222 (Introduction to Hispanic Culture), and so on.

Required language courses

  • SPAN 301 (3) Advanced Spanish I
  • SPAN 302 (3) Advanced Spanish II

However, students who have studied Spanish before or for whom Spanish is a heritage language may take a placement test to be exempted from some or all of the above courses. If this is your case, please contact the Student Programs Coordinator at fhis.undergrad@ubc.ca.

Required literature and culture courses 

Students must take at least two of the following courses:

  • SPAN 357 (3) The Golden Age of Peninsular Literature and Culture
  • SPAN 358 (3) Divergent Visions: Peninsular Literature and Culture since 1700
  • SPAN 364 (3) Colonial Encounters in Spanish-American Literature and Culture
  • SPAN 365 (3) Modern Magics: Spanish-American Literature and Culture since the 1820s

These courses provide broad surveys of Peninsular and Spanish-American literature and culture from the early-modern period to the present. They enable understanding of the broad contexts for more specialized courses at 400-level.

Additional courses

Students must take at least two of the following courses:

  • SPAN 321 (3) Tradition and Diversity in Spanish History and Culture
  • SPAN 322 (3) Dependency and Revolution in Latin American History and Culture
  • SPAN 395 (3-6) Special Topics Abroad
  • SPAN 401 (3) Upper Intermediate Spanish I
  • SPAN 402 (3) Upper Intermediate Spanish II
  • SPAN 403 (3) History of the Spanish Language
  • SPAN 404 (3) From World to Screen: Topics in Hispanic Cinema
  • SPAN 405 (3) Celebrating Diversity: Topics in Peninsular and Latin-American Culture
  • SPAN 406 (3) Breaking the Mold: Gender Representation(s) in Hispanic Literature and Culture
  • SPAN 409 (3) From Text to Stage: Topics in Hispanic Theatre
  • SPAN 410 (3) Multicultural Beginnings: Topics in Medieval Literature and Culture
  • SPAN 411 (3) Hispanic Linguistics
  • SPAN 420 (3) Ascent and Decline: Topics in Golden-Age Peninsular Literature and Culture
  • SPAN 430 (3) Modernization and Autonomy: Topics in Peninsular Literature and Culture since the 18th Century
  • SPAN 450 (3) Discourse and Dialect: Topics in Spanish Language
  • SPAN 470 (3) Imperial Eyes and Foundational Fictions: Topics in Spanish-American Colonial and Nineteenth-Century Culture
  • SPAN 490 (3) Peoples and Nations: Topics in Twentieth- and Twenty-First Century Spanish-American Culture
  • SPAN 495 (3) Research Intensive Seminar in Spanish Literature and Culture

These courses mostly enable more focused analysis of specific issues and topics in Peninsular and Spanish-American literature and culture. SPAN 495 is a research-intensive course that satisfies the Arts research requirement.


Questions? Contact Advising.

2026 Winter – Spanish New Program Requirements Information Session – RSVP

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FHIS Undergraduate Symposium 2025-26 | Attendee Form

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Fashion Communications between Italy and China: Unfolding a Sartorial Relationship

2025 | Gaoheng Zhang

Publisher: Bloomsbury Publishing

Description:

In this in-depth study, author Gaoheng Zhang analyses the relationship between the Italian ready-to-wear fashion industry and the Chinese fast fashion industry, focusing on the 2000s and 2010s.

Looking first at the communication of Italian fashion in China before examining the impact of Chinese migrants and Chinese fashion on the Italian fashion industry, the author unpacks perceived tensions between “made in China” fast fashion and “made in Italy” ready-to-wear that is viewed as “slow” fashion. In doing so, Zhang exposes the nuances, controversies and ambivalences of Italy’s and China’s intertwined fashion systems, revealing not only the competition between these two countries, but also their collaboration.

Applying the lenses of communication, cultural and fashion studies to this analysis, Fashion Communications Between Italy and China reflects on global fashion industries more generally and related topics such as globalized fashion-making, fashion-facilitated transcultural identity construction, and fashion-led negotiation of national economic issues.