La francophonie en action : Utilisateur indépendant (B1)

La francophonie en action : Utilisateur indépendant (B1)

2024 | Caroline Lebrec, Frenand Léger, Miao Li 

Publisher: Canadian Scholars’ Press

Description:

La francophonie en action is a revolutionary, four-volume textbook series utilizing the action-oriented approach (AOA) to learning French as a second or foreign language. The four core volumes are an immersive, complete language-learning system.

With a strong emphasis on the francophone world, including a much-needed focus on francophone and Indigenous Canada, this series covers multiple stages of French language learning (beginner, elementary, intermediate, and upper intermediate). The intended level of this first volume, B1 of the CEFR (Common European Framework of Reference), is for courses guiding students from elementary to intermediate.

While employing a variety of individual, interactive, and collaborative activities, students will be encouraged to engage in a way that ensures agency over their language learning process by presenting clear and simple forms of language inclusive of all gender identities and by interacting in real-life situations presented in the text for an authentic and experiential twist to their learning. Each title within the series is divided into distinct stages that each focus on one of the core modes of communication: reception, production, interaction, and mediation. The modules guide students through a series of purposeful and practical activities that trigger successful learning of the French language while promoting the development of plurilingual and pluricultural competences. Activities can be implemented on or off campus, to accommodate programs that utilize either in-class or remote learning.

The series is accompanied by robust pedagogical features, including instructor supplements and a companion website, which contains audio and video materials, self-checking grammar exercises, and additional student activities for each volume. La francophonie en action is a complete solution for all departments offering a French Studies program at Canadian, American, or international university. Canadian programs will be excited to see a much-needed focus on francophone and Indigenous Canada while also exploring the varied global francophone world.

Instructors adopting La francophonie en action (B1) for their course will receive access to a Teacher’s Guide/Guide du professeur, which includes an introduction to the series and the methodological structure and approach of the book as well as a full answer key for all of the textbook activities.

La francophonie en action

FREN507

Penser la diversité au siècle des Lumières

La notion de diversité occupe une place centrale dans la pensée des Lumières. En parallèle à l’expansion géographique et territoriale, qui expose de plus en plus les Européens à la variété des cultures et des coutumes observées partout sur le globe, la diversité de la nature se révèle sous l’œil des savants. Pour les philosophes des Lumières, cette confrontation à la diversité des sociétés humaines et des formes de la vie repousse les limites du monde connu, ébranle les certitudes, et force les remises en question des savoirs reçus. Sur le plan politique, religieux, culturel et intellectuel, le constat de cette inépuisable diversité problématise et complexifie les prétentions universelles inscrites au cœur du projet des Lumières.

Ce séminaire offrira l’occasion de revisiter les manières dont les philosophes et écrivains du XVIIIe siècle, loin de refuser de prendre en compte les différences, ont fait de ces dernières un objet d’étude, et y ont vu à la fois l’horizon et le défi posé à la connaissance éclairée du monde et de soi. Les sujets et les débats abordés incluront :
– L’universalisme et ses questions
– La théorie des climats
– Classer, ordonner, organiser le monde naturel
– Naissance de l’anthropologie
– Diversité des cultures et des coutumes
– Diversité religieuse
– Diversité linguistique
– Les Lumières face à leurs contradictions (colonialisme et esclavage)

Language of instruction: French

Instructor: Joël Castonguay-Bélanger

Coming soon!

Une sélection de textes, d’extraits et d’articles sera mise à la disposition des étudiants :
– Du Bos, Réflexions critiques sur la poésie et sur la peinture
– Montesquieu, De l’Esprit des lois
– Buffon, Histoire naturelle
– Condillac, Traité des animaux
– Lafitau, Mœurs des sauvages américains comparées aux mœurs des premiers temps
– Voltaire, Traité sur la tolérance
– Raynal, Histoire philosophique et politique des deux Indes
– Olympe de Gouge, Déclaration des droits de la femme et de la citoyenne
– Condorcet, Réflexion sur l’esclavage des nègres

RMST310B

Romance Linguistics

This course examines linguistics with an emphasis on the contemporary varieties of the Romance language family. Five main domains of linguistics will be covered: phonetics and phonology, morphology, syntax and sociolinguistics. This will provide a broad understanding of the major similarities and differences between the Romance languages. Although the focus will be on French, Portuguese, Spanish and Italian, attention will also be paid to lesser-known varieties (for instance, Romance-based Creoles, regional languages of France, minority languages in Spain, etc.). We will also be particularly interested in topics such as language variation and change, language contact, multilingualism, standardization, and language attitudes. The course will be interactive and based on numerous written exercises, in class and at home, that will allow the students to explore more precisely the different variations of the Romance languages.

Language of instruction: English

Prerequisites: No prerequisites

Coming soon

There is no required handbook for this course, all relevant material will be provided in class and on Canvas.

FHIS Student Email Sign-up 2024-25

Sign up to stay informed about events and opportunities related to French, Spanish, Italian, Portuguese, and/or Romance Studies at UBC.

FREN415

French Digital Culture

Contemporary issues and debates on how media and digital technologies have impacted French culture and society. Examines how text, language, and writing are used in digital media.

Par le biais de lectures et d’études de cas, l’objectif de ce cours est d’apprendre à étudier les effets de la transition numérique sur les modalités de production, de diffusion, de lecture, d’étude et d’évaluation des œuvres littéraires francophones. Loin de se limiter à un phénomène technique ou à un changement de support, la numérisation des ouvrages imprimés a inauguré un changement des modes d’organisation, de structuration et de consultation des textes. À travers les opérations d’éditorialisation et de médiation des œuvres qu’elle permet aux institutions culturelles de mener, elle inaugure un changement de notre rapport au patrimoine littéraire, désormais accessible à tous les publics. Avec le livre numérique, l’histoire de l’écrit s’enrichit aussi de nouvelles possibilités d’édition et de création multimédiales, hypertextuelles et interactives. C’est non seulement les modes d’écriture et de création des œuvres mais aussi le processus par lequel on convient de leur valeur qui se trouvent modifiés par l’apparition des plateformes contributives culturelles sur le Web (ex : Babelio), espaces d’expression numériques sur lesquels commentateurs professionnels et amateurs se rencontrent et se mélangent. Ces nouveaux objets et les nouveaux enjeux esthétiques et sociologiques qu’ils soulèvent modifiant quotidiennement le travail du chercheur, ce cours se clôturera sur deux séances d’introduction aux humanités numériques.

Language of instruction: French

Prerequisites: Either (a) all of FREN 311, FREN 321 or (b) all of FREN 328, FREN 329 and one of FREN 225, FREN 402.

3 Essays = 15% x 3
Midterm Exam = 25 %
Final Exam = 30%

Éric Plamondon, Pomme S, Le Quartanier, Montréal, 2016.
Voltaire, Candide, l’édition enrichie, BnF/Orange/Voltaire Foundation, 2013.

RMST304

Afterlife of the Text: Rewritings and Adaptations

How stories travel across media and across national and linguistic boundaries in the Romance-speaking world. Dialogue between different versions and inter-media translations. Questions of authorship and reception.


Prerequisites: No prerequisites

Language of instruction: English

Coming soon

Coming soon

Les Fabliaux : Fiction, vraisemblance et genre littéraire

2024 | Isabelle Delage-Béland

Publisher: Classiques Garnier

Description:

This study proposes to bring medieval and modern thoughts into dialogue to reread the fabliaux and make them participate in contemporary reflections on the poetics of the literary genre and the reconsideration of the powers of fiction. By testing an unstable mixture of truth and fiction, these brief stories from the central Middle Ages invite nuance and create a middle path where doubt and the refusal of binary oppositions prevail. When placed in their literary and manuscript context, the fabliaux prove to be particularly rich terrain for anyone interested in the ever-relevant questions of truth, lies and plausibility.

Isabelle Delage-Beland

Nudos y enredos: revistas andinas del siglo XX

2023 | Rodolfo Ortiz

Publisher: La Mariposa Mundial

Description:

Rodolfo Ortiz studies the impact of Andean magazines and analyzes their complex networks of cultural production in the intellectual field of the early 20th century. He proposes a critical reading of the interwoven discourses and circuits of a fugitive intellectuality based on the topology of knots and tangles. The book seeks to demonstrate that magazines are dispositifs in which the most significant controversies and debates of their time (and ours) are activated.

Rodolfo Ortiz

RMST375

The Caribbean: Frontiers of the Romance World

In this course, we delve into the rich literary and cultural landscape of Hispaniola (Dominican Republic and Haiti), Martinique, and Guadeloupe, three central islands in the Romance-language Caribbean. Through a comparative lens, we will explore the intersections of colonial legacies, race, gender, and the socioeconomic impact of tourism on these islands.

We will engage with diverse voices, including writers, poets, filmmakers, and critics, to challenge conventional narratives and reveal the complex realities of the Caribbean. Key themes include the lasting effects of colonialism, the negotiation of identity, the politics of language, and the region’s dynamic place in the global imagination.

Through a vibrant mix of poetry, prose, critical essays, and films, this course will foster a deeper understanding of the Caribbean’s cultural and linguistic uniqueness within the broader Romance-speaking world. Expand your intellectual horizons with fresh perspectives that illuminate both the unity and diversity of these fascinating islands.

Language of instruction: English

Prerequisites: No prerequisites

Term Test: 15%
Participation: 20%
One page analysis [3x 10%]: 30%
Presentation: 15%
Essay: 20%
Total: 100%

Coming soon

ASTU399

Indigenous Stories of Hydro Power in Quebec and BC

Meryl McMaster, Time's Gravity 2015 (source: gallerieswest.ca)

This course meets the Place and Power requirement

This course explores how Indigenous writers, filmmakers and artists in Quebec and BC engage with the impact of hydro development on their lands. Through the example of a local case and a cross-country one, we will examine how hydro, often perceived as a form of sustainable energy, is also an extractive industry that has participated in the historical and ongoing process of separating Indigenous peoples from their lands. We will put the local case of hydro in BC in dialogue with hydro power in Quebec, a province where hydro development is connected to the Québécois national project and where water symbolizes the resource that led to the province’s economic emancipation. Through the study of life-writing, testimony, autofiction and dystopian fiction, we will explore the themes of relationship to land, culture and kin, and interrogate the dynamics that govern our current extractivist and colonialist systems of exploitation and power. Students will engage with literary texts from a variety of genres, as well as cinema and visual art to analyze the themes, arguments, rhetorical and visual devices put forward by creators. Students will gain an understanding of a timely issue at work in Quebec and BC.

Language of instruction: English

Prerequisites: No prerequisites. Restricted to Faculty of Arts students.

Close Reading Tests – 30% (2 x 15%)
Facilitation of a Workshop – 12%
The Place and Power Zine Project – 45%
[Stage 1 (10%); Stage 2 (15%); Showcase (20%)]
Active Participation – 13%
** This information is subject to change **

With full works and excerpts from:

  • Jordan Abel
  • An Antane Kapesh
  • Zebedee Nungak
  • Lee Maracle
  • Darrel J McLeod
  • Virginia Pésémapéo Bordeleau
  • Margaret Sam-Cromarty

Films and theoretical readings will be available through Canvas and UBC libraries.