SPAN590B

SPAN590B

Narconarrativas de América Latina

Instructor: Jon Beasley-Murray
Language of instruction: Spanish

Este curso examinará las narrativas asociadas con el narcotráfico y la llamada “guerra” en contra de las drogas en América Latina, sobre todo en Colombia y México. Aprovecharemos de la oportunidad para estudiar la relación entre narrativa y el mercado, representación y violencia, y la práctica de lectura e intoxicación. Partimos de la hipótesis de una paradoja: mientras que, por un lado, el tráfico en contrabando y su violencia (o contra-violencia) constituyen un reto para las técnicas de la representación, por otro lado hay una resonancia o semejanza rara entre estos flujos de drogas y la práctica literaria. Las narconarrativas son sumamente anti-literarias pero a la vez revelan alguna esencia de la literatura en sí.


SPAN312A

From Dictators to Detectives: Latin American Literature of the 20th and 21st Centuries

SPAN312 is an introduction to key Latin American literary texts of the 20th and 21st centuries in relation to their authors and the social, political, and cultural contexts in which they were produced.  In particular, we consider how literature critiques, indexes, and contests structures of power. We will read both canonical works and lesser known fiction in a variety of genres (poetry, short stories, essays, the novel) to reflect upon the common themes of (neo-)colonialism, gender roles and gendered violence, class relations, race, culture, and politics. Readings and discussions in English.

Required readings: Tell Me How It Ends: An Essay in 40 Questions, Valeria Luiselli (available on Amazon, for order at local Pulp Fiction bookstores, or at UBC Bookstore)


Prerequisite: No prerequisites

Language of Instruction: English

Note: Not available for credit toward a Major or Minor in Spanish. This course fulfils the Faculty of Arts Literature Requirement.

RMST221B

Animal Reading

What does it mean to be an animal? To be a human? And what does reading have to do with anything?

Animal studies and the environmental humanities are ideas that are increasingly familiar to 21st-century readers; viewed here through the lens of some of the finest and most intriguing Medieval and Renaissance literary works from the Romance world, with important interactions with other literatures around the whole world and influences on later European literatures, and spanning a range of forms: from short poems to encyclopaedias, from fables to bestiaries, from saints’ miracles to dramatic multimedia satires.

We will start small: listening to a frog in a 12th-century Troubadour poem in Old Occitan by Marcabru, “Bel m’es quan la rana chanta.” We will revisit this frog at the end of the course, to see how our readings have changed along the way.

Our two set / required texts in the main body of the course are originally in 12th- and 16th- century French; through them, we will meet animals in associated works from France, Italy, and Spain. There will be reading about animals, of animals, and physically on animals (through online digitised manuscripts and books in the library); shape-shifting; animals reading (and speaking, interacting, and otherwise showing evidence of sentience and thinking); and reading humans as animals (via Montaigne). Along the way, readings and student presentations may converse with—for example—wolves, dogs, foxes, bears, birds, bees, donkeys, horses, deer, cats, squirrels, rabbits, snails, unicorns, hedgehogs, lions, chickens, sheep, fish, whales, otters, beavers (and of course frogs).

All texts will be worked on in English translation, though students will have the option, if they wish, of using versions in the original (or a modernized variant) in their final projects.

Required Texts

The Lais of Marie de France, ed. and trans. Glyn S. Burgess (Penguin Classics, any edition)

Montaigne, The Complete Essays, ed. and trans. M. A. Screech (Penguin Classics, any edition)

Prerequisite: None

Language of instruction: English

Course Registration

 

ITST432

Love and Sex in Italian Cinema

Italy, cinema, and romantic love are closely associated concepts for many people. William Wyler’s wildly popular film Roman Holiday (1953) stands as a powerful testament to this perception. What does Italian cinema say about this subject? This course will explore nuances of love, sex, desire, and eroticism in Italian cinema within the country’s post-WWII historical, socio-political, and cultural milieus. The course’s three units— “masculinities,” “femininities,” and “stardom”—will cover a range of focused discussions of tropes and notions of gender and sexuality in cinema. Students will learn to contextualize contemporary Italian cinematic depictions of love and to apply critical concepts from gender studies to film analysis.

All films have English subtitles.

Textbooks (REQUIRED):
TBA

Prerequisite: None

Language of instruction: English

Course Registration

ITST232B

Food Cultures and Italy

Italy is world-renowned for its food cultures and Italians put great care into food preparation, consumption, and appreciation. It’s no wonder that Italian food-related themes permeate the country’s cultural life and beyond.

This course will examine representations of Italian or Italian-derived foodways and the role they play in articulating larger issues concerning contemporary Italy, including regionalism, anti-globalization, family history, gender identities, Italian American food, tourism in Italy, and immigration to Italy. Students will form a complex picture of Italy’s relationships with food cultures in a global context.

Class assignments and final projects will allow students to explore their critical and/or creative views of class materials. The course assumes no prior knowledge of Italian. But it requires a passion for Italian food and culture!

Required readings:

TBA

Prerequisite: None

Language of instruction: English

Course Registration

FREN420T

Les imaginaires de Paris

For centuries, Paris has inspired artists, novelists, film directors and poets. Study the history of the French capital through some of its most significant fictional representations.

Required readings:

TBA

Suggested readings:

TBA

Prerequisite:One of FREN 320, FREN 321, FREN 328, FREN 329, FREN 330

Language of Instruction: French

Course Registration

FREN419A

Écrits de femmes (Studies in Women’s Writing)

Christine de Pizan, Collected Works (1407), BL, MS Harley 4431

Dans ce cours, nous examinerons un éventail de textes écrits par des femmes à travers les siècles (des récits allégoriques du Moyen Âge jusqu’au théâtre du dix-neuvième siècle) en nous penchant particulièrement sur la représentation des femmes et de l’écriture, ainsi que la réception de ces textes par le lectorat. Nous aurons lieu de nous demander s’il existe une « écriture féminine » qui se distinguerait d’une « écriture masculine », selon les genres choisis, les thèmes, les considérations stylistiques, etc.

Ouvrages au programme :

Christine de Pizan, Le Livre de la cité des dames (extraits)
Marguerite de Navarre, L’Heptaméron (extraits)
Madame de Lafayette, La Comtesse de Tende.
Isabelle de Charrière, Trois femmes.
George Sand, Gabriel.

Un choix de textes et d’ouvrages critiques sera affiché sur Canvas.

Professeur: Nancy Frelick
Bureau: TBA
Téléphone: TBA
Courriel: nancy.frelick@ubc.ca


Prerequisites: One of FREN 321, FREN 328, FREN 329 and one of FREN 225, FREN 402.

Language of instruction: French

FREN346

French at Work

Topic: French for Healthcare 

Numerous studies have shown the health benefits for patients when they are able to communicate in their native language.

Gain the practical tools to communicate effectively in French clinical settings. This course is designed for students in the Health Sciences who wish to develop the language skills needed to work in French within their field of specialization.

This course also aims to familiarize future healthcare professionals with the French-speaking healthcare system in Canada, with a particular focus on British Columbia. Students will develop strategies to build confidence in their language abilities, enabling them to interact with ease and professionalism in French-speaking healthcare environments.

Language of instruction: French

Instructor: Dr. Soline Milet 

Recommended prerequisites: One of FREN 123, FREN 302.

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Required texts:

Coming soon!

FREN328B

Mémoires d’avenir

Ce cours se veut une étude de la tension entre le contexte historique de la modernité postcoloniale et la représentation fictive d’un avenir radicalement différent, souvent imprévisible et potentiellement libérateur. Nous lirons ensemble trois ouvrages d’auteurs de la Martinique, de la Côte d’Ivoire et du Cameroun. Nous discuterons de problèmes sociaux, politiques, économiques et culturels qui nous aideront à comprendre les textes. Nous identifierons les stratégies narratives mises en œuvre chez ces auteurs pour mener le lecteur à repenser ses perspectives sur l’Afrique et les Antilles.

Required readings:

Patrick Chamoiseau, Texaco
Ahmadou Kourouma, Monnè, outrages et défis
Calixthe Beyala, Les arbres en parlent encore

Prerequisite: One of FREN 220, FREN 221

Language of Instruction: French

Course Registration

FREN418K

Francophonie or Postcolonial Studies?

Francophonie hides more than it reveals, is this why we need to approach the subject via the Postcolonial Studies framework? This course develops around a conceptual toolkit (universalism, hybridity, feminisms, diglossia, transnationalism, etc.) to get a better understanding of vision and division around language, identity, memory, national imaginary, and so forth. The works studied reflect on the problematics of the youngest generation of francophone writers. At the same time, course assignments facilitate practice with critical thinking (emphasis on participation), reading reports, exposés, and a research project. In French.

Required readings:

Bachi, Salim. Amours et aventures de Sindbad le marin (2010)

Confiant, Raphaël. Eau de café (1991)

Miano, Léonora. La saison de l’ombre (2013)

Slimani, Leïla. Chanson douce (2016)

Recommended readings:

Badran, Margot. Feminists, Islam, and Nation (1996)

Bhaba, Homi. The Location of Culture (1994)

Césaire, Aimé. Discours sur le colonialisme (1950)

Combe, Dominique. Littératures francophones. Questions, débats, polémiques (2010)

Confiant, Raphaël. Éloge de la créolité (1989)

Fanon, Frantz. Peau noire, masque blanc (1952)

Forsdick, Charles (ed.). Francophone Postcolonial Studies: A Critical Introduction (2003)

Gauvin, Lise. Écrire, pour qui: l’écrivain francophone et ses publics (2007)

Glissant, Édouard. Poétique de la relation (1990)

Khatibi, Abdlekébir. Amour bilingue (1983)

Laroussi, Farid. Postcolonial Counterpoint. Orientalism, France and the Maghreb (2016)

Lionnet, Françoise. Postcolonial Representations: Women, Literature, Identity (1995)

Mabanckou, Alain. Penser et écrire l’Afrique aujourd’hui (2017)

Mbembe, Achille. Critique de la raison nègre (2013)

Provenzano, François. Vies et mort de la francophonie (2011)

Said, Edward. Orientalism (1978)

Spivak, Gayatri. A Critique of Postcolonial Reason (1999)

Prerequisite:
One of FREN 320, FREN 321, FREN 328, FREN 329, FREN 330

Note:
FREN 418 may be taken twice, with different content, for a maximum of 6 credits.

Language of instruction: French

Course Registration