Romance Studies Courses

 


Winter 2019/20

Winter 2019

RMST221 Literatures and Cultures of the Romance World I: Medieval to Early Modern Sections

An introduction to the main themes that shaped the Western part of Europe as its different national identities emerged in the Mediterranean sphere.

Instructor(s): Moran, Patrick
The Art of Love in Occitan and Old French Literature In the 12th century, Western Europe became passionate about love. Fine amor, or courtly love, was born in the Occitan regions with the songs of the troubadours. It migrated to the North of France and Langue d'oïl, where it gave birth to specific genres of narrative literature (lais and romances), before spreading throughout Western Europe under various guises. Courtoisie is both an aesthetic system and an ideology. It puts love and sensual desire at the top of its hierarchy of values, thus redefining and challenging several social and moral conventions – especially the sanctity of marriage. The aim of this course is to study this important cultural phenomenon across different spheres of the Romance world, beginning with troubadour poetry in Langue d'oc. We will then shift to courtly narratives in Langue d'oïl, specifically the legend of Tristan and Iseut (which depicts...
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RMST234 Introduction to Romance Language Cinema Sections

Instructor(s): Testa, Carlo
[Cross-listed with Italian Studies 234] The Humane Comedy: Educational Laughter in Contemporary Italian Cinema By harnessing laughter to the illustration of major social, economic, or political issues of its day, the commedia all’italiana has contributed to fostering a better informed, more humane humanity, and in the process has set an example that ought to be held up as a mirror of ethical commitment (not to mention artistic accomplishment and box-office success) for cultures across the world. Hence the title of this course — The Humane Comedy: Educational Laughter in Contemporary Italian Cinema. The topics covered are the following. Before the midterm: the politics of early post-Fascist Italy and the paradigms of neorealism (e.g. De Sica’s Bicycle Thieves, 1948); Pietro Germi’s Divorce, Italian Style (1961); Elio Petri’s The Working Class Goes to Heaven (1971); Franco Brusati’s Bread and Chocolate (1973). After the midterm: Ettore Scola’s We All Loved Each Other (1974); Maurizio Nichetti’s Icicle Thieves...
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Summer 2019

Summer 2019
No RMST course(s) were found for S2019 term.