Ph.D., Indiana University, Bloomington
M.A., University of Kansas
My research and teaching center on 20th- and 21st-century Latin American literatures and cultures. My work examines the relationship between aesthetics, politics, and the literary tradition in the current epoch of neoliberal globalization, with a focus on Mexican and Central American narrative fiction.
I received a dual BA in Spanish and English Literature from Washburn University (2006) and a Master of Arts in Spanish Literature at the University of Kansas (2009). Following the M.A., I spent a year abroad as Assistant Professor of English Philology at the University of Santiago de Compostela in Galicia, Spain, and I taught for two years as a Lecturer of Spanish at Clemson University in South Carolina. I received a Ph.D. in Latin American Literatures from Indiana University, Bloomington, where I conducted research abroad as a FLAS Fellow and Tinker recipient.
- Contemporary Mexican Literature and Culture
- Contemporary Central American Literature and Culture
- Neoliberalism, Globalization, (Post-)National Politics
- Political Philosophy, Critical Theory
- Border and Diaspora Studies
- Digital Humanities
- Latina/o/x Studies
I specialize in 20th- and 21st-century Mexican and Central American narrative fiction, as well as in broad comparative areas that reach into other disciplines and traditions: Latina/o Studies, critical theory, political philosophy, and border and diaspora studies. My research is animated by questions of political agency, economic precarity, and the violence that obtains throughout waning national modernity, as well as by the ways in which literature shapes, critiques, and indexes burgeoning neoliberal globalization.
My current book project draws on the work initiated in my dissertation but shifts focus to consider how globalization is being leveraged—even embraced—by Latin American thinkers and artists as a means of critiquing and shaping world relations in the present epoch. Specifically, I examine the narrative fiction of Roberto Bolaño, Horacio Castellanos Moya, and Valeria Luiselli, and the work of installation artist Teresa Margolles. My research posits that these artists exploit the commodity status of their work as part of the global art market as a means of critiquing and destabilizing boundaries between the Global North and South.
Articles and Book Chapters
“Escatología y marginalización en la literatura andina: Las porosas fronteras sociopolíticas en Los ríos profundos de José María Arguedas,” Revista canadiense de estudios hispánicos (May 2020).
“Geopoetics, Geopolitics, and Violence: (Un)Mapping Daniel Alarcón’s Lost City Radio” Latin American Perspectives (September 2019).
“Carving Place out of Non-Place: Luis Rafael Sánchez’s ‘La guagua aérea’ and Post-National Space,” Chasqui: revista de literatura latinoamericana (May 2018).
“Interventionism, Migration and Diaspora: Central American Literature Beyond the Isthmus,” Teaching Central American Literature in a Global Context, eds. Mónica Albizúrez and Gloria E. Chacón (Accepted, Modern Language Association of America).
“La Llorona, from Plaintive to Plaintiff: Accessing Rights in Neoliberal Globalization,” Cry Baby, ed. Kathleen Alcalá (Under Review, Arizona University Press)
“Natalia Almada: The Sound & the Image,” Chiricú Journal: Latina/o Literatures, Arts, and Cultures 1.1 (September 2016), ed. Jonathan Risner: Indiana University Press.