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UID:20211003T1149Z-1633261788.8708-EO-24661-29@10.19.146.2
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DTSTAMP:20260310T142026Z
CREATED:20211001T201857Z
LAST-MODIFIED:20211001T205009Z
DTSTART;TZID=America/Vancouver:20211014T163000
DTEND;TZID=America/Vancouver:20211014T173000
SUMMARY: Prejudice and Generalization: Museum Establishment History in Nige
 ria | Virtual Talk with Titilope Salami
DESCRIPTION: Examine the colonial exploitation of Nigerian museums and how 
 we might rewrite their histories to reflect the locals’ accounts and unders
 tanding. Nigerian museums were established and interpreted by the British c
 olonialists\, the same people who historize Nigeria’s art and culture. Duri
 ng the colonial period\, Africans were seen as retarded and uncivilized\, t
 herefore\, the Europeans who […]
X-ALT-DESC;FMTTYPE=text/html: <p>[image_spread img_url="https://fhis.cms.ar
 ts.ubc.ca/wp-content/uploads/sites/29/2021/10/Wide-picture.png" caption="Th
 e National Museum Lagos\, 2021. Photo: Sanya Onolaja." width="browser"]</p>
 <h3>Examine the colonial exploitation of Nigerian museums and how we might 
 rewrite their histories to reflect the locals’ accounts and understanding.<
 /h3><p>Nigerian museums were established and interpreted by the British col
 onialists\, the same people who historize Nigeria’s art and culture. During
  the colonial period\, Africans were seen as retarded and uncivilized\, the
 refore\, the Europeans who went to Africa were there with the intention to 
 change them and train them to live in an “acceptable” civilized way. They c
 reated a Eurocentric dominated narrative about African art and culture that
  was mainly influenced by their Western perspective and their experience in
  Africa as visitors. Cultural and art objects were classified and translate
 d through European museum paradigms and policies.</p><p>Unfortunately\, Afr
 ican museums\, with a specific focus on Nigeria\, have continued to uphold 
 the same history attached to their establishment with little or no change. 
 National museums in Nigeria\, governed by the National Commission for Museu
 ms and Monuments (NCMM)\, are functioning under a modification of the antiq
 uities policy that established them with no visible improvement.</p><p>How 
 might we rewrite Nigerian museum histories to reflect the locals’ accounts 
 and understanding? With the use of Foucault’s idea of <em>Dispositif</em>\,
  Titilope Salami will examine the history of museums in Nigeria explaining 
 their colonial exploitation and how the narrative has not changed despite t
 he country’s independence. Salami will also discuss how ethnicity\, class\,
  and educational and professional backgrounds have continued to influence N
 igerian museum discourse.</p><h3><strong>About the presenter:</strong></h3>
 <p>Titilope Salami\, an artist and curator\, is a doctoral student in the d
 epartment of Art History\, Visual Art & Theory at the University of British
  Columbia. She is currently conducting her Ph.D. research in the history an
 d policies of West African museums. She is a recipient of SSHRC Doctoral Fe
 llowship (2021-2024).</p><h3><strong>Register for the event to receive the 
 Zoom link:</strong></h3><p>[gravityform id="25" title="false" description="
 false"]</p><p>If you have any questions\, please contact Dr. Antje Ziethen 
 at <a href="mailto:antje.ziethen@ubc.ca">antje.ziethen@ubc.ca</a>.</p><p><e
 m>This event is hosted by UBC's Department of French\, Hispanic and Italian
  Studies in collaboration with the African Studies program. It is organized
  by Dr. Antje Ziethen\, Assistant Professor of French.</em></p>
URL;VALUE=URI:https://fhis.ubc.ca/events/event/prejudice-and-generalization
 -museum-establishment-history-in-nigeria-virtual-talk-with-titilope-salami/
ATTACH;FMTTYPE=image/png:https://fhis.cms.arts.ubc.ca/wp-content/uploads/sites/29/2021/10/SM-Nigerian-Museum-Establishment.png
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DTSTART:20210314T100000
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